“Of course, there are antecedents we can find. For example, The Dictionary of Obscure Sorrows created two words that have been used to describe liminal spaces, anemoia and kenopsia, in 2014 and 2012, respectively. Anemoia is nostalgia for a time you couldn’t have experienced, and kenopsia is the atmosphere of a normally bustling place that is now vacant.
And if you’re hardcore internet, you probably read all of the above and connected it to abandoned malls, vaporwave, and abandoned mall vaporwave, and you aren’t wrong, but you’re not quite right, either. Ooohh, you’re so liminal right now.
The difference is that while some of these other nostalgic trends are rooted in a strange familiarity, they put you at ease, and liminal states do the opposite. They put you on edge.”
“From now on, whether or not the technology makes the traditional musician’s craft redundant, the young creative type will become more aware that he is able to control more areas of the way his music is communicated to the masses. The manipulation of this control will become a very important creative form of expression in itself.”